Premium
VIP
Beta Tester
The Gambler
by Kenny Rogers • Lesson #222 • Mar 3, 2019
Video lesson
Licensed Song Sheet 3 pages
Follow along with my print-friendly guide for this song! It’s available for purchase at Musicnotes.com, the web’s leading provider of licensed sheet music.
On the fence? Here's a guide I made showing the purchase & print process, including answers to common questions about my song sheets.
Buy at Musicnotes.comEditor’s notes
Here’s my lesson teaching you how to play “The Gambler”, the classic 3-chord country song made famous by Kenny Rogers (originally written by Don Schlitz). During this lesson, I’ll teach you the chord shapes, explain the verse & chorus chord progressions, and break down the strumming patterns. Together, this should give you all you need to pick up your guitar and play this song. Note, this will be a lesson for a no-capo version of this song (add a capo on the 1st fret to play the song in the same key as Kenny Rogers).
Note that for the 2nd half of the song, I’m modulating (changing key) by one whole step – i.e., moving from the key of D (D/G/A7) to the key of E (E/A/B7). Kenny Rogers only moves up one half-step, so I’m deviating from what he does - but I think my choice is more practical in that it requires no capo.
- 0:28 Greeting & lesson overview
- 1:01 Quick capo disclaimer
- 1:40 Chord shapes needed
- 3:04 Timing & chord progression
- 6:17 Strumming patterns
- 11:25 Adding alternating bass notes
- 13:05 Changing key in the 2nd half
- 14:37 Full play-along cover
- 17:22 Farewell & thanks
Other videos I made for this song
Play-along cover
Improvisational exercise using this song’s melody
Chords w/ lyrics
(capo 1st fret to play w/ the Kenny Rogers version)
INTRO
D
VERSE
D G D
On a warm summer's eve... on a train bound for nowhere
D A
I met up with the gambler... we were both too tired to sleep
D G D
So we took turns a-starin'... out the window at the darkness
G D A D
The boredom overtook us... and he began to speak
D G D
He said, "Son, I've made a life... out of readin' people's faces
D A
Knowin' what the cards were... by the way they held their eyes
D G D
So if you don't mind me sayin'... I can see you're out of aces
G D A D
For a taste of your whiskey... I'll give you some advice"
D G D
So I handed him my bottle... and he drank down my last swallow
D A
...Then he bummed a cigarette... and asked me for a light
D G D
And the night got deathly quiet... and his face lost all expression
G D A D
Said, "If you're gonna play the game, boy... you gotta learn to play it right
CHORUS
D G D
You've got to know when to hold 'em... know when to fold 'em
G D A
...Know when to walk away... and know when to run
D G D
You never count your money... when you're sittin' at the table
G D A D
There'll be time enough for countin'... when the dealing's done
[ Song modulates up 1/2 step... but I prefer using chords in key of E ]
E A E
...Every gambler knows... that the secret to survivin'
E B7
Is knowin' what to throw away... and knowin' what to keep
E A E
'Cause every hand's a winner... and every hand's a loser
A E B7 E
And the best that you can hope for... is to die in your sleep
E A E
And when he finished speakin'... he turned back toward the window
E B7
...Crushed out his cigarette... and faded off to sleep
[let chords ring]
E A E
And somewhere in the darkness... the gambler, he broke even
A E B7 E
But in his final words I found... an ace that I could keep
E A E
You've got to know when to hold 'em... know when to fold 'em
A E B7
...Know when to walk away... and know when to run
E A E
You never count your money... when you're sittin' at the table
A E B7 E
There'll be time enough for countin'... when the dealing's done
[ play chorus w/ single strums ]
[ play chorus w/ full strumming, end ]
Capo 1st fret (optional)
If you want to play along with the Kenny Rogers version of the song, slap a capo on the 1st fret and use the chords I show. Then, after the first chorus - move the capo up to the 2nd fret and continue to use chords in the key of D. If you don’t want to bother with moving your capo up one fret, I recommend simply modulating up from the key of D to the key of E. In other words, here are the chords you’ll need:
First half of the song: D G A7
Second half of the song: E A B7
Chords needed
Here’s the three chords you’ll need while playing in the key of D. Very straightforward D, G, and A. I also may use an A7 instead of an A sometimes (including within this lesson) - note that you can use either, they’ll both sound good.
E –––2–––3–––0––– –––0–––
B –––3–––0–––2––– –––2–––
G –––2–––0–––2––– –––0–––
D –––0–––0–––2––– –––2–––
A –––––––2–––0––– –––0–––
E –––––––3––––––– –––––––
D G A A7
If you do choose to modulate up a key (without bothering with moving the capo), here’s the chords that will replace the D, G, and A. If you’ve never played the B7 chord before, don’t let it scare you away - it’s a nice way to get the sound of a “B” major chord but without having to barre any strings.
E –––0–––0–––2–––
B –––0–––2–––0–––
G –––1–––2–––2–––
D –––2–––2–––1–––
A –––2–––0–––2–––
E –––0–––––––––––
E A B7
Chord progressions
Big picture, the song has two progressions and they look like this. For every letter below AND for each “/”, you’re playing four counts (one measure) of that chord. The “/” character below means that you should stay on the prior chord for one additional measure.
Verse D / G D / / / A
D / G D G D A D
Chorus D / G D G D D A
D / G D G D A D
Strumming patterns
Simple strum
When starting to strum it, I recommend doing a single down strum on the “1” count of each measure. Do this until you learn the chord progression and feel comfortable with the chord changes. Even if you’re comfortable with the intermediate strums I show below, you’ll want to use this very simple approach on the final verse (“Somewhere in the darkness, the gambler he broke even…”).
1 + 2 + 3 + 4 + d = down strum
d
In tab form, that looks like this:
D G A
E –––2–––––––––––––––– E –––3–––––––––––––––– E –––0––––––––––––––––
B –––3–––––––––––––––– B –––0–––––––––––––––– B –––2––––––––––––––––
G –––2–––––––––––––––– G –––0–––––––––––––––– G –––2––––––––––––––––
D –––0–––––––––––––––– D –––0–––––––––––––––– D –––2––––––––––––––––
A –––––––––––––––––––– A –––2–––––––––––––––– A –––0––––––––––––––––
E –––––––––––––––––––– E –––3–––––––––––––––– E ––––––––––––––––––––
1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
d d d
Medium strum
Then, bring in down strums on each quarter note. If you can, try to emphasize the strums on the 2 and 4 counts, and ease up on the strums that happen on the 1 and 3 counts. This creates a nice backbeat sound, which spoken would be typed as “down DOWN down DOWN down DOWN down DOWN” (etc).
1 + 2 + 3 + 4 + d = down strum
d d * = strum root note only
*
In tab form, that would look like this:
D G A
E –––––––––––2–––––––– E –––––––––––3–––––––– E –––––––––––0––––––––
B –––––––––––3–––––––– B –––––––––––0–––––––– B –––––––––––2––––––––
G –––––––––––2–––––––– G –––––––––––0–––––––– G –––––––––––2––––––––
D –––0–––––––––––––––– D –––––––––––0–––––––– D –––––––––––2––––––––
A –––––––––––––––––––– A –––––––––––2–––––––– A –––0––––––––––––––––
E –––––––––––––––––––– E –––3–––––––––––––––– E ––––––––––––––––––––
1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
d d d d d d
* * *
You could even double up this “medium” strum, by doing two of these root-strum sequences within each single 4-count measure. Specifically, this:
D G A
E –––––––2–––––––2–––– E –––––––3–––––––3–––– E –––––––0–––––––0––––
B –––––––3–––––––3–––– B –––––––0–––––––0–––– B –––––––2–––––––2––––
G –––––––2–––––––2–––– G –––––––0–––––––0–––– G –––––––2–––––––2––––
D –––0–––––––0–––––––– D –––––––0–––––––0–––– D –––––––2–––––––2––––
A –––––––––––––––––––– A –––––––2–––––––2–––– A –––0–––––––0––––––––
E –––––––––––––––––––– E –––3–––––––3–––––––– E ––––––––––––––––––––
1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
d d d d d d d d d d d d
* * * * * *
Full strum
Finally, the ideal strum you’ll want to work toward would be as shown below. One new thing going here is you’ll only want to strum the root note (i.e., the thickest string used in the chord) on the 1-count of the measure. Maintain your accents on the 2 and 4 counts. Typed out, this would be “(down) DOWN down-up-DOWN-up, (down) DOWN down-up-DOWN-up” (etc).
1 + 2 + 3 + 4 + d = down strum u = up strum
d d d u d u > = accented strum * = strum root note only
* > >
This final strum in tab form would look like this:
D G A
E –––––––2–––2–2–2–2–– E –––––––3–––3–3–3–3–– E –––––––0–––0–0–0–0––
B –––––––3–––3–3–3–3–– B –––––––0–––0–0–0–0–– B –––––––2–––2–2–2–2––
G –––––––2–––2–2–2–2–– G –––––––0–––0–0–0–0–– G –––––––2–––2–2–2–2––
D –––0–––0–––0–0–0–0–– D –––––––0–––0–0–0–0–– D –––––––2–––2–2–2–2––
A –––––––––––––––––––– A –––––––2–––2–2–2–2–– A –––0–––0–––0–0–0–0––
E –––––––––––––––––––– E –––3–––3–––3–3–3–3–– E ––––––––––––––––––––
1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
d d d u d u d d d u d u d d d u d u
* > > * > > * > >
Related lesson I made for this song
Here’s a lesson on made showing how to improvise around the chord progression this song uses. The result is a fun way to capture the meldoy notes of the song with your picking & strumming:
Video timestamps:
- 0:00 Playthrough & lesson overview
- 1:44 Start w/ the chords & progression
- 3:00 Alternating bass notes
- 4:41 Alternate chord voicings for G and A
- 6:55 Adding palm muting
- 7:35 Walking up to each chord
- 9:23 Adding pinky flourish notes
- 10:48 Putting it all together
Notes and tabs for this lesson can be found here. Enjoy!
Browse Related Lessons
Click any tag below to view other lessons I've made in that category:
Enjoy My Lessons? Show Your Support!
Most of the lessons on my website are 100% free. If you have the means, please show your support with a tip jar contribution. I put many hours into every lesson — but it only takes you a minute to make a donation. You have my thanks!
Looking for More Song Lessons?
Featured Courses
Blues Starter Kit
A guide to must-know elements of beginner blues guitar! I'll walk you through the essential topics, showing you fun things to play along the way.
6 lessons • 1 hr 18 mins
ViewReading Music for Guitarists
Learn to read tabs, chord charts, fretboard diagrams, strumming patterns, and more! This course explains how to understand all of these must-know notation styles.
6 lessons • 41 mins
ViewLearning Lead Guitar
A collection of videos teaching you licks, riffs, solos, and other lead guitar techniques! Includes info on scales, CAGED shapes, and other helpful lead guitar concepts.
21 lessons • 5 hr 46 mins
ViewBeginner Chord Guide
A guide to the must-know chords you'll need when getting started with guitar! The quickest way to learn major chords, minor chords, the chords in each key, and more.
22 lessons • 2 hrs 15 mins
ViewPractical Music Theory
A general overview of must-know theory concepts. The goal here is practical, easy-to-understand explanations — all of which provide clarity to your everyday guitar playing.
12 lessons • 1 hr 50 mins
ViewUsing a Capo
Capos are incredibly helpful if you want to play along with your favorite artist, change a song's key, adjust things to your vocal range, and so on. In this series of videos I explain all this & more!
8 lessons • 1 hr 18 mins
ViewBrowse By Topic
Fun & Helpful Tools I've Made
Subscribe to my YouTube channel
Be sure to never miss a lesson by subscribing on YouTube. I put out 2-3 new videos every week. These include full song lessons, as well as covers, practice tips, behind-the-scenes updates. Thanks!
Recent Lessons
-
September 13, 2024
"Rebel Rouser" - 1950s Lead Guitar Lesson
-
September 5, 2024
Lead Guitar Lesson Roundup!
-
Aug 30, 2024
"Linger" by The Cranberries
-
Aug 21, 2024
Capos, Explained: 6 New Lessons & PDF Guides
-
August 8, 2024
"Spin You Around" by Morgan Wallen
-
July 31, 2024
"Tonight You Belong To Me" as covered by Eddie Vedder / Steve Martin
-
July 24, 2024
Must-Know Strumming Patterns in 6/8 Time
-
July 13, 2024
"Wondering Why" by Red Clay Strays