Premium
VIP
Beta Tester
Video Overview
Instructional PDF 3 pages
Editor’s notes
In this lesson, I’ll be taking a look at the intro lick heard in the song “One Horse Town” by Blackberry Smoke. This one came in request – and while it’s a song I’d never heard before, what immediately grabbed my ear is the easy going strum between two chords (C-major and A-minor) combined with a melodic lick that’s used to transition into each chord. In total, this gives us a tight package to practice that’ll flex our strumming muscles as well as our ability to pivot to a 5-note phrase while keeping the rhythm going. Give it a try, you may very much enjoy!
Full exercise:
Play once: Then repeat this:
E ––––––––––– –––––0–0–––0–0–0–––0–0–0–––––––––––––0–0–––0–0–0–––0–0–0–––––––––
B ––––––––––– –––––1–1–––1–1–1–––1–1–1–––––––––––––1–1–––1–1–1–––1–1–1–––––––––
G ––––––––––– –––––2–2–––2–2–2–––2–2–2–––––––––––––0–0–––0–0–0–––0–0–0–––––––––
D ––0–2–0–––– –––––2–2–––2–2–2–––2–2–2–0–2–0–––––––2–2–––2–2–2–––2–2–2–0–2–0–––
A ––––––––3–– –0–––––––––––––––0–––––––––––––2–3–––––––––––––––3–––––––––––––3–
E ––––––––––– –––––––––0–––––––––––––––––––––––––––––––3–––––––––––––––––––––––
v ^ ^ v ^ ^ v ^ v ^ ^ v ^ ^ v ^
3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
Am C
First, learn the chord shapes
Out of the gate, understand that we’re only dealing with two chord shapes for this exercise. That’ll be the standard A-minor and C-major. These are two very related chords, both tonally (A-minor is the relative minor C-major) as well as from a finger-position POV (your left-index and left-middle are in the same spot for each chord).
E ––––0–––– E ––––0––––
B ––––1–––– <= left index B ––––1–––– <= left index
G ––––2–––– <= left ring G ––––0––––
D ––––2–––– <= left middle D ––––2–––– <= left middle
A ––––0–––– A ––––3–––– <= left ring
E ––––––––– E –––––––––
Am C
Second, learn the transition riffs
Once you know the chord shapes, the next thing I’d recommend is looking at the melodic riffs that are played between each chords. We’ll get to rhythm, timing, and strumming in a moment - but first learn these phrases. Each phrase ends with the bass note of the chord you’re transitioning into. Notice how the first three notes of each phrase are the exact same!
Riff 1: Riff 2:
E ––––––––––––––0––– E ––––––––––––––0–––
B ––––––––––––––1––– B ––––––––––––––1–––
G ––––––––––––––2––– G ––––––––––––––0–––
D ––0–2–0–––––––2––– D ––0–2–0–––––––2–––
A ––––––––3–0–––0––– A ––––––––2–3–––3–––
E –––––––––––––––––– E ––––––––––––––––––
Am C
Connecting the riffs to strumming
Next, we’ll want to take the isolated riffs and connect them with some consistent strumming. Start off by doing a “bass note, strum… bass note, strum… bass note, strum…” pattern, played three times total, for each chord. Then, move to the next riff - and repeat.
E –––––––––––|–––––0–––––0–––––0––|–––––––––––|–––––0–––––0–––––0––
B –––––––––––|–––––1–––––1–––––1––|–––––––––––|–––––1–––––1–––––1––
G –––––––––––|–––––2–––––2–––––2––|–––––––––––|–––––0–––––0–––––0––
D ––0–2–0––––|–––––2–––––2–––––2––|––0–2–0––––|–––––2–––––2–––––2–– ...repeat
A ––––––––3––|––0––0––0––0––0––0––|––––––––2––|––3––3––3––3––3––3––
E –––––––––––|––––––––––––––––––––|–––––––––––|––––––––––––––––––––
Am C
From here, you can take the same fundamental approach but add an alternating bass note. That is, when doing the “bass note, strum…” sequence, make the bass note you play for each chord alternate between the 5th and 6th string. Tabbed out, that looks like this:
E –––––––––––|–––––0–––––0–––––0––|–––––––––––|–––––0–––––0–––––0––
B –––––––––––|–––––1–––––1–––––1––|–––––––––––|–––––1–––––1–––––1––
G –––––––––––|–––––2–––––2–––––2––|–––––––––––|–––––0–––––0–––––0––
D ––0–2–0––––|–––––2–––––2–––––2––|––0–2–0––––|–––––2–––––2–––––2–– ...repeat
A ––––––––3––|––0–––––––––––0–––––|––––––––2––|––3–––––––––––3–––––
E –––––––––––|––––––––0–––––––––––|–––––––––––|––––––––3–––––––––––
Am C
This will give you the foundation of the full riff, even if you don’t flesh out the strumming (as I show below). If you get comfortable with this and want to take it to the next step, keep on reading!
Fleshing out the strumming
The first step would be turning each full strum of a chord from a “down” to a “down up”. Make sure you’re maintaining a steady rhythm. Tabbed out, it would look like this:
E –––––––––––––0–0–––0–0–––0–0––––––––––––––0–0–––0–0–––0–0––
B –––––––––––––1–1–––1–1–––1–1––––––––––––––1–1–––1–1–––1–1––
G –––––––––––––2–2–––2–2–––2–2––––––––––––––0–0–––0–0–––0–0––
D ––0–2–0––––––2–2–––2–2–––2–2–––0–2–0––––––2–2–––2–2–––2–2–– ...repeat
A ––––––––3–0––––––––––––0–––––––––––––2–3––––––––––––3––––––
E –––––––––––––––––0––––––––––––––––––––––––––––3––––––––––––
Am C
And from there, to match what you hear in the full riff, make the 2nd and 3rd strum cluster an “up down up”. This one is trickier! But is a good thing to aspire to if you want the challenge.
E –––––––––––––0–0–––0–0–0–––0–0–0––––––––––––––0–0–––0–0–0–––0–0–0––
B –––––––––––––1–1–––1–1–1–––1–1–1––––––––––––––1–1–––1–1–1–––1–1–1––
G –––––––––––––2–2–––2–2–2–––2–2–2––––––––––––––0–0–––0–0–0–––0–0–0––
D ––0–2–0––––––2–2–––2–2–2–––2–2–2–––0–2–0––––––2–2–––2–2–2–––2–2–2–– ...repeat
A ––––––––3–0––––––––––––––0–––––––––––––––2–3––––––––––––––3––––––––
E –––––––––––––––––0––––––––––––––––––––––––––––––––3––––––––––––––––
Am C
Mind the full timing
Because I’m a completionist, detail-obsessed kind of guy - I have to include this version of the tab that includes the full counting along with the strumming notation. This shows the “1 + 2 + 3 + 4 +” rhythmic breakdown of the four total measures. Also, note how you begin the riff (from a cold start) by starting on the “3 + 4 + “ with the riff leading into A-minor, and the bass-note strumming kicks in on the “1” count. Then, when repeating everything, start over again on the “1” count where the strumming starts.
Play once: Then repeat this:
E ––––––––––– –––––0–0–––0–0–0–––0–0–0–––––––––––––0–0–––0–0–0–––0–0–0–––––––––
B ––––––––––– –––––1–1–––1–1–1–––1–1–1–––––––––––––1–1–––1–1–1–––1–1–1–––––––––
G ––––––––––– –––––2–2–––2–2–2–––2–2–2–––––––––––––0–0–––0–0–0–––0–0–0–––––––––
D ––0–2–0–––– –––––2–2–––2–2–2–––2–2–2–0–2–0–––––––2–2–––2–2–2–––2–2–2–0–2–0–––
A ––––––––3–– –0–––––––––––––––0–––––––––––––2–3–––––––––––––––3–––––––––––––3–
E ––––––––––– –––––––––0–––––––––––––––––––––––––––––––3–––––––––––––––––––––––
v ^ ^ v ^ ^ v ^ v ^ ^ v ^ ^ v ^
3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
Am C
Good luck!
Farewell my friends, there you have it! I hope you found this helpful - if so, please consider supporting this project of mine!
Browse Related Lessons
Click any tag below to view other lessons I've made in that category:
Enjoy My Lessons? Show Your Support!
Most of the lessons on my website are 100% free. If you have the means, please show your support with a tip jar contribution. I put many hours into every lesson — but it only takes you a minute to make a donation. You have my thanks!
Looking for More Song Lessons?
Featured Courses
Fun & Helpful Tools I've Made
Coming soon is Jambox – which shows all the video jam tracks I've made. It's note quite ready for the spotlight, but check it out if you like!
Subscribe to my YouTube channel
Be sure to never miss a lesson by subscribing on YouTube. I put out 2-3 new videos every week. These include full song lessons, as well as covers, practice tips, behind-the-scenes updates. Thanks!
Recent Lessons
-
June 12, 2026
"Ramble On" Acoustic Bassline Groove (Led Zeppelin)
-
June 6, 2026
Melody, with Chords: "Love Me Tender"
-
June 5, 2026
"Love Me Tender" as played by Elvis Presley
-
May 29, 2026
Learning Triads with "Happy Birthday" (Key of G)
-
May 19, 2026
Guitar Jam Tracks: How I Make Them!
-
May 4, 2026
New and Improved! Song List Update.
-
April 24, 2026
Country Fingerstyle, Melody + Bass (feat. "Live Forever" by Billy Joe Shaver)
-
April 21, 2026
Sneak Peek! Step-by-Step Travis Picking Course
-
April 10, 2026
"Free Fallin'" by Tom Petty
